Press & Media Coverage
Jeff Nichols: Director of Mud, Loving, The Bikeriders
"A powerful documentary, unlike anything I've ever seen before."
Forbes
"Kegan and Webley captured a slice of life in a way that is not often presented on screen for professional runners."
David Lowery: Director of The Green Knight, A Ghost Story, Mother Mary
"Reckons with out inability to confront death, even as we depend upon it."
Ringling College of Art and Design
"Ringling College's Sean Webley Caps 2025 with Two Feature-Length Documentary Premieres"
Guggenheim Bilbao
Exhibited as part of Motion. Autos, Art, Architecture, curated by Norman Foster. April–September 2022.
The Paris Review
"Standing in the woods of Decatur, Georgia, at the end of 2019, Jericho Brown reads two poems from his most recent collection, The Tradition, recently awarded the Pulitzer Prize in Poetry."
MIT
"Cinematographer and visual artist Sean Webley refined a series of highly specialized filming techniques to create the appearance of a dynamic urban setting — from using a macro probe lens to amplify the sense of scale, to immersing sections of the model under water to simulate fluctuating weather conditions."
Nerds that Geek
"A vastly different kind of sports documentary. One that is raw, one that is honest."
International Policy Digest
"Sweet, funny, and sad, and is an example of excellent story-telling."
Hammer to Nail
"A compelling case study of people who live their lives, teetering on the verge of a complete breakdown."
The Austin Chronicle
"Displays a sharp eye for the rootless edges of the L.A. showbiz world."